Tuesday, July 14, 2020

Book Riots Deals of the Day for August 19th, 2019

Book Riot’s Deals of the Day for August 19th, 2019 Sponsored by Postcards for a Songbird by Rebekah Crane. These deals were active as of this writing, but may expire soon, so get them while they’re hot! Todays  Featured Deals Down the Darkest Street by Alex Segura for $0.99. Get it here,  or just click on the cover image below. The Banished of Muirwood for $3.99. Get it here,  or just click on the cover image below. On Beauty  by Zadie Smith for $1.99.  Get it here,  or just click on the cover image below. In Case You Missed Yesterdays Most Popular Deals Exit West: A Novel by Mohsin Hamid for $1.99. Get it here, or just click on the cover image below. The Idiot: A Novel by Elif Batuman for $1.99. Get it here, or just click on the cover image below. Previous Daily Deals That Are Still Active As Of This Writing (Get em While Theyre hot!): Hoot by Carl Hiassen for $1.99. Let Us Dream by Alyssa Cole for $2.99. Escape from Mr. Lemoncellos Library  by Chris Grabenstein for $1.99 The Tigers Daughter (Ascendant Book 1) by K Arsenault Rivera for $2.99 Midnight Exposure (The Midnight Series Book 1)by Melinda Leigh for $1.99 Whose Body? (The Lord Peter Wimsey Mysteries Book 1)  by Dorothy L. Sayers for $2.99 Paper Wife: A Novel  by Laila Ibrahim for $1.99 The House Girl: A Novel by Tara Conklin for $0.99 A Curious Beginning (A Veronica Speedwell Mystery Book 1) by Deanna Raybourn for $2.99 A Great Improvisation: Franklin, France, and the Birth of America  by Stacy Schiff for $3.99 Rome: A History in Seven Sackings by  Matthew Kneale for $3.99 The Wangs vs. the World by Jade Change for $2.99 Romancing the Duke: Castles Ever After by Tessa Dare for $2.99 A Little Book of Japanese Contentments: Ikigai, Forest Bathing, Wabi-sabi, and More for $1.99 Periodic Tales: A Cultural History of the Elements, from Arsenic to Zinc by Hugh Aldersey-Williams for $2.99 Black Boy by Richard Wright for $1.99 Im Judging You: The Do-Better Manual  by Luvve Ajayi for $2.99 Ottolenghi: The Cookbook by Yotam Ottolenghi and Sami Tamimi for $2.99 Well-Read Black Girl: Finding Our Stories, Discovering Ourselves by Glory Edim for $1.99 Renegades by Marissa Meyer for $2.99 China Dolls by Lisa See for $1.99 The Book of the Unnamed Midwife by Meg Elison for $1.99 The Minimalist Cooks Dinner: More Than 100 Recipes for Fast Weeknight Meals and Casual Entertaining by Mark Bittman for $2.99 The Good Lord Bird by James McBride for $1.99 The Witch of Willow Hall by Hester Fox for $1.99 Beautiful Creatures by Kami Garcia and Margaret Stohl for $0.99 Rules of Civility  by Amor Towles for $1.99 A Peoples History of the United States by Howard Zinn for $2.99 Dear Universe: 200 Mini-Meditations for Instant Manifestations  by Sarah Prout for $2.99 The Murmur of Bees by Sofia Segovia for $1.99 The Readers of Broken Wheel Recommend by Katarina Bivald for $2.99 The Hangmans Daughter by  Oliver Pötzsch for $1.99 The Wedding Date by Jasmine Guillory for $1.99 The Murders of Molly Southbourne by Tade Thompson for $3.99 Mind Platter by Najwa Zebian for $1.99 An Untamed State by Roxane Gay for $1.99 The Calculating Stars by Mary Robinette Kowal for $2.99 The Hunger by Alma Katsu for $1.99 Black Boy by Richard Wright for $1.99 Temper by Nicky Drayden for $1.99 Girls of Paper and Fire by Natasha Ngan for $2.99 Feel Free by Zadie Smith for $3.99 New Suns: Original Speculative Fiction by People of Color Edited By Nisi Shawl for $0.99. Mapping the Interior by Stephen Graham Jones for $3.99 Shuri (2018 #1)  by Nnedi Okorafor for $1.99 The Only Harmless Great Thing by Brooke Bolander for $1.99 Rosewater by Tade Thompson for $2.99 The Black Gods Drums by P. Djèlí Clark for $1.99 Gods, Monsters, and the Lucky Peach by Kelly Robson for $1.99 My Soul to Keep by Tananarive Due for $0.99 All Systems Red: The Murderbot Diaries by Martha Wells for $3.99 Jade City by Fonda Lee for $2.99 A Big Ship at the Edge of the Universe by Alex White  for $2.99 Silver in the Wood by Emily Tesh for $3.99 A Curious Beginning  by Deanna Raybourn  for $2.99 Storm Front  by Jim Butcher (Book One of the Dresden Files)  for $2.99 Guapa  by Saleem Haddad for $1.99 Hogwarts: an Incomplete and Unreliable Guide  by J.K. Rowling  for $2.99 Short Stories from Hogwarts  by J.K. Rowling  for $2.99 The Paper Magician by Charlie N. Holmberg for $1.99 The Girl with the Red Balloon by Katherine Locke  for $1.99 The Invisible Library by Genevieve Cogman for $0.99 Half-Resurrection Blues by Daniel José Older for $2.99 Cant Escape Love by Alyssa Cole for $1.99 Leaves of Grass by Walt Whitman for $0.99. The Haunting of Tram Car 015 by P. Djèlí Clark for $3.99 A Quiet Life in the Country by T E Kinsey for $3.99 Empire of Sand by Tasha Suri for $4.99 Life and Death in Shanghai by Nien Cheng for $4.99 Binti  by Nnedi Okorafor for $1.99 Binti: Home  by Nnedi Okorafor for $2.99 Binti: The Night Masquerade by Nnedi Okorafor for $3.99 Instant Pot ®  Obsession: The Ultimate Electric Pressure Cooker Cookbook for Cooking Everything Fast by Janet A. Zimmerman for $2.99 Tell the Truth Shame the Devil by Lezley McSpadden with Lyah Beth LeFlore for $0.99 Magic Bites by Ilona Andrews for $2.99 Once Ghosted, Twice Shy by Alyssa Cole for  $1.99 Whatever Happened to Interracial Love? by Kathleen Collins for $3.99 In Search of Lost Time: Volumes 1-7  by Marcel Proust  for $0.99 Prime Meridian  by Silvia Moreno-Garcia for $3.99 The Mirror Empire by Kameron Hurley for $2.99 I Met a Traveller in an Antique Land  by Connie Willis for $0.99 Soy Sauce for Beginners by Kirstin Chen for $3.99 Silver Phoenix by Cindy Pon for $2.99 A Curious Beginning by Deanna Raybourn for $2.99 George by Alex Gino for $3.99 Destinys Captive by Beverly Jenkins for $1.99 A Rogue By Any Other Name by Sarah MacLean for $1.99 The Price of Salt by Patricia Highsmith for $0.99 Sign up for our Book Deals newsletter and get up to 80% off books you actually want to read.

Thursday, May 21, 2020

The Financial Crisis Of Greece And Portugal - 1624 Words

The music stopped on October 2009, a year after Lehman Brothers collapsed at the height of the financial crisis. Investors all over the world were shocked and creditors were equally horrified. Greece, the founder of true democracy, the originator of the olympics and the birthplace of geometry - was now $430 billion in debt. Never before had a country such as Greece imploded with such velocity and magnitude - that its government bond contracts were now considered toxic. It was an exact replay of the financial crisis, except that the insolvent borrower was now the state. The Maastricht Treaty, signed in 1992, promised to make this group of nations strong. A formal agreement to establish the European Union, it pledged to bring together the†¦show more content†¦Secondly, capital mobility and financial transactions should be flexible, open and easily completed. Thirdly, a system which automatically balances risk and transfers capital to less economically developed regions must be in place. Fourthly, member nations should preferably have similar fluctuations in their business cycles, allowing the central bank to control monetary policy without the need for diverging monetary plans. In his original paper, Mundell called this the â€Å"synchronising of shocks†. To Greece, the potential idea of entering the Eurozone was one that was too tempting. A key benefit would be the reduction of inflation rates in the short term. â€Å"By joining a monetary union with a credible anchor country or set of countries, a client country eliminates the inflation bias arising from time inconsistency in monetary policy† (Alesina Barro, 2002). The inflation rate falls to that of the lowest member nation - representative of the credibility and reputation of the German banks and the entire OCA. Hence, a country such as Greece, which lacked the regulation and financial supervision, jumped at the opportunity of sharing the same credible status Germany worked hard to maintain. To understand why Greece defaulted, we need to uncover the economic and political reasoning behind its recent history. The first decision to host the Olympic Games in Athens in 2004 burned a â‚ ¬8.4 billion hole in public finances. Facilities and buildings became obsolete and vacated

Wednesday, May 6, 2020

Communicating The Value Of Psychology - 1863 Words

Communicating the Value of Psychology Chelsea Xu Perth Modern School Department of Psychology Position Paper March 20, 2015 Table of Contents 2 Position Statement/Introduction 3 Developmental Psychology 4 Social Psychology Cross Cultural Psychology Conclusion References Position Statement ‘A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other’ – Charles Dickens, A Tale of Two Cities Psychology is the study of mind, behaviour, performance and the mental operations of people. It can be applied to various aspects of the human life. Everything a person does it related to psychology because it studies who and what someone is and why they act and think the way they do and how they can improve themselves. It is also an important factor in helping to diagnose many mental diseases. Several doctors have been able to use psychological studies to develop medicine to aid in illnesses. This topic allows people to understand how the body and mind works. It can help with decision making and avoid stressful situations. It can help with managing times, set and achieve goals and become more effective with the way that one lives. Psychology is important because, for some people, learning can be viewed as their purpose in life. We can gain a better understanding of the causes of our own behaviour through the study of psychology. It also allows us to learnShow MoreRelatedGlobalization and Organizational Behavior1049 Words   |  5 Pagesfor a product or service, perpetuating continuous operations and communicating around the clock and globe, capitalism is replacing governmental control and organizations are no longer constrained by borders, and corporations are becoming more heterogeneous and adapting to people who are from different nationalities and cultures. 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Thus, each generation is motivated differently, and the implications for future workforces lies in the considerations of such generationalRead MoreMarketing/Marketing Strategy750 Words   |  3 Pageswhich is perfectly correct as marketing practice tended to be seen as a creative industry in the past, which included advertising, distribution and selling. However, because the academic study of marketing makes extensive use of social sciences, psychology, sociology, mathematics, economics, anthropology and neurosc ience, the profession is now widely recognized as a science. It is also related to many of the creative arts as marketing involves creating the right product for the right customer andRead MoreEssay about Marketing and Psychology862 Words   |  4 PagesMarketing and Psychology Mustafa Bilal University of Phoenix PSY/322 October 7, 2013 Chawn Williams Consumer psychology is a sub-branch of social psychology that falls under the umbrella of psychology. 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Thesis S2 Free Essays

Osteogenesis Imperfecta Dominant and Recessive Pattern Background Osteogenesis Imperfecta (OI) is heterogenous genetic disorder in the type I collagen and is characterized by susceptibility bone fragility and fractures with variable severity and presumed or proven defect in type I collagen biosynthesis. Type I collagen is the abundant protein composing the extracellular matrix of bone and skin in human body.There are 3 pathogenesis mechanisms of OI: 85-90% of individuals with OI have dominant mutation in type I procollagen genes (COL1A1 and COL1A2) and recessive mutation of OI occur in genes involved in defect of collagen modifying enzymes (CRTAP, LEPRE1 and PPIB) and in genes coding type I procollagen chaperones (SERPINH1 and FKBP10). We will write a custom essay sample on Thesis S2 or any similar topic only for you Order Now A new OI candidate recessive pattern had already revealed, SP7/Osterix (OSX), encodes a transcription factor containing three Cys2Hys2 zinc-finger DNA binding domain at its C terminus caused bone formation disorder.Methods To identify the presence of mutations and the pattern of inheritance in collagen type I from individuals with clinical appearance of OI (type I-IV). We performed whole gene sequencing in dominant genes (COL1A1, COL1A2) . For individuals that we can not find mutation in both of those genes and based on biochemical screening of fibroblast sample of patients, we set up whole sequence for overmodification patients to run with CRTAP, LEPRE1 and PPIB genes and for non overmodification to run with SERPINH1 and FKBP10 in a cohort of 107 patients.We proposed to look for a new candidate genes, if we can not find mutations for patients that we already run with known published genes caused OI. Results In 107 patients with complete analysis, we found 28 mutations, 8 mutations in COL1A1 and 20 mutations in COL1A2. We also found 1 homozygote mutation in FKBP10. Conclusion Key words: OI, overmodification, non overmodification, known published genes of OI, new candidate genes of OI How to cite Thesis S2, Papers

Friday, April 24, 2020

With These Words I Can Sell You Anything free essay sample

â€Å"With These Words I Can Sell You Anything† is an article written by William Lutz, explaining the tactics of marketers to sell their products. It is an excerpt from his book Doublespeak, published in 1990. William Lutz has been called â€Å"the George Orwell of the 1990s†, and indeed many of his books are titled in direct reference to Orwell’s works. Lutz claims in his article that there’s a big conspiracy where the people trying to sell us things are giving us ineffective products disguised as something much better. Unfortunately, he comes off as paranoid; someone making a big fuss over that which in reality isn’t a big deal and as someone late to the party, only discovering something long after everyone else. The first issue with Lutz is his hatred of the word ‘help’. He says that when a product claims to ‘help relieve your cold fast’ that consumers should be wary before buying the product. We will write a custom essay sample on With These Words I Can Sell You Anything or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page He says that the word ‘help’ doesn’t mean ‘cure’, and at best this medicine will only relieve your symptoms. He also claims that ‘fast’ could really be any period of time. Unfortunately, if people stop beating up the advertisers and look at their words rationally there’s no problem with buying their product at all. There aren’t many products out there that will instantly cure a cold the moment it’s taken, and surely it isn’t cheap. If there’s an alternative that can relieve the symptoms, hasn’t it basically helped to cure the cold? If someone buy this medicine and takes it for the duration of a colds natural cycle, that person is much better off than if they took nothing at all. Of course ‘fast’ could mean any period of time, but if it took more than a day to take effect nobody would buy it more than once. See, Lutz has the proper idea when it comes to paying attention to words, but he fails to see the big picture when it comes to how effective the product is despite the words. An unpopular product would never last on the market. Lutz gives numerous examples of â€Å"weasel words†, which are defined by him as words meant to seem reassuring but in reality mean nothing. He devotes paragraphs to each phrase, such as ‘virtually spotless’, ‘new and improved’, and ‘like magic’, picking them apart like a vulture until nothing left remains. Again, using common sense it’s almost insulting to think that anyone would be fooled by these words. When someone sees an ad for something and its bottom line for making you buy a product is that it works ‘Like Magic! ’ how could they help but laugh? It’s disturbing to think that anyone would be fooled into buying these products multiple times if they’re so ineffective. When a person see a product they need like laundry detergent that claims it can completely erase stains, why wouldn’t they go test it? It can clean their clothes like any other detergent, and if it removes stains they might have a great product on your hands. If it doesn’t, they simply look for a different product. Lutz acts like once something is bought the consumer gets stuck with that for life, with no alternatives. The beauty of a free market is that there are countless products for the same thing, and they all work differently. Nobody will be fooled into buying something that doesn’t work more than once. While Lutz does correctly examine that advertisers use different methods to persuade consumers to buy products, he falls flat on his face when he takes up 11 pages explaining things that should be obvious to any high school graduate. If you pick apart someone’s words enough you can make anyone seem like the devil, and unfortunately that’s what has happened here with advertisers. Consumers have friends and family buying alongside them and all of them can communicate what’s effective and ineffective to each other. It’s simply foolish to assume that a product that does nothing is going to get more than a few purchases before the word gets out that it’s worthless. Hopefully people learn to determine the effectiveness of products for themselves, and not look up to a pale imitation of Orwell, who uses the better mans words in an attempt to further his own career. Use your own judgment, not that of someone who ends their articles in a ridiculous and amateurish parody of Twenty-third Psalm.

Tuesday, March 17, 2020

5 Screenwriting Tips I Learned From Stranger Things

5 Screenwriting Tips I Learned From Stranger Things When the Duffer Brothers released Stranger Things on Netflix, no one could have predicted the massive cult following the show would receive. With the first episode airing July 15, 2016, Chapter One: The Vanishing of Will Byers, Stranger Things mix of 80s nostalgia and horror was nominated for Best Drama for the Critics Choice awards in its first year. Since 2016, the show has been nominated or has won several Screen Actors Guild Awards, and took home 2017s award for Outstanding Performance by an Ensemble in a Drama Series.Stranger Things Joyce Byers, Jonathan Byers, and Nancy Wheeler waiting to hear from Will Byers in the upside down.A dynamic mix of 80s classics like Firestarter, The Goonies, E.T., Stand By Me, and A Nightmare on Elm Street (among others), Stranger Things combines humor, horror and childhood in a way that hits home for its audience- especially an audience steeped in 80s pop culture. As one of my favorite examples of how to write an original screenplay, here are five screenwriting tips I learned from Stranger Things.1. Introduce characters through conflictRight at the beginning of the first episode of the series, audiences of Stranger Things meet an ensemble of major characters that are all uniquely important to the story. Were first introduced to the boys who would be the main cast. Will Byers, Dustin Henderson, Lucas Sinclair, and Mike Wheeler are playing a game of Dungeons and Dragons and there is immediate conflict in the campaign they are playing. This back-and-forth dialogue between the boys sets up their characters perfectly, allowing the audience to immediately determine which character is the comic relief, leader, follower, and pragmatic one.Throughout this first episode, all of the major characters are introduced in this way- through a point of conflict with another major character. These conflict-heavy pairings not only move the plot forward in an interesting way, they allow the audience to understand the strengths and weaknesses of each character through a simple moment of conflict with another (or others). In that way, were given a lot of characterization in a short amount of time, which also helps create immediate empathy for them.Conflict assists in characterization in the opening scenes of Stranger Things2. Dont be afraid of redemptive character arcsNo doubt, Stranger Things starts out with some very fallible, imperfect heroes. Chief Hopper is a great example, as we first see him in the role of a small-town cop who has too many vices, too early in the morning. We get the feeling that hes a wounded man from the first episode, and later find out that he lost a young daughter and is still grieving that loss.His character arc, however, is one of the most redemptive in the series. From these early scenes of Chief Hopper in the fog of depression and addiction to the most recent scenes at the end of season 2, his arc has been one of unlikely hero to decided hero to the Byers family (and Joyce in particular). He t hen redeems himself further by becoming a surrogate father for El (Eleven), who he protects like his own daughter.El is another character with a redemptive character arc, as she is ultimately responsible for the Demogorgons presence in Hawkins, yet saves the town (and Will Byers) from the same monster. In this dual role of cause and savior, Els motivation to save her friends is believable and effective as a turning point in her characters role. She is angry at the people who experimented on her and achieves justice against Hawkins Laboratory by the end in destroying its research and forcing it to shut down at the close of the second season.Then theres Steve, who is almost unlikeable at the beginning of the series but becomes one of the most heroic figures of the plot by the end of season 2. His surrogate parenting of Dustin wins him huge empathy points among fans, not to mention his honest care and concern for Nancy, despite their break-up.Another subtler, yet highly redemptive char acter arc, is that of Will Byers, whose character became much more important in season 2. In season 1, we see him as a scared little boy whose role is mostly offscreen, and a victim of the evils Hawkins National Laboratory was bringing into the area. However, by the end of season 2, he has survived a complete possession encounter with the terrifying new monster, the Mind Flayer, and is the only one who still understands at the end the possibility that the monster is not as far away as it seems. In this sense, his character arc from scared victim to courageous survivor is one of the most redemptive arcs of the series.Will Byers character arc moves from him being a scared victim to a courageous survivor.3. Sometimes less is more with dialogueDuring most scenes involving El, her dialogue is limited at best (sometimes humorously so). However, through great screenwriting and casting, the writers of Stranger Things managed to reveal a lot about her character with very few words used. Her meaningful glances, the powerful image of a nosebleed following her use of telepathic powers, and the way she participates in the narrative without saying much at all bring to mind similar characters, such as E.T. or Charlie (played by a young Drew Barrymore) in Stephen Kings Firestarter.This limited dialogue forces the audience to really focus when a character does speak, and to watch closely the physical responses that character gives. In this sense, the character maintains a sense of mystery and importance, simply by saying as few words as possible.4. Dont forget the power of kids to carry a storyThe movies that Stranger Things draws on are predominantly stories of kids in a world with mostly absent adults. These depictions of childhood friendships appeal to the nostalgic viewers who remember the confusion and harder lessons involved in growing up, particularly when adults were not available or were overworked. It another sense, it reminds viewers of a time much different than th e present, when kids could roam freely on bicycles and enjoy a level of autonomy that modern-day parents find difficult to grant.There is also an increased emotional appeal when a story is narrated through the perspective of children or adolescents. One of the screenwriters first goals is to convince the audience to feel empathy for the characters introduced, particularly the main characters. This goal is easily accomplished when the main characters are children or adolescents. Adults watching the story are automatically empathetic to most child characters out of a sense of protectiveness. Add to that the nostalgia and emotions involved with remembering what it was like to be in that childs place, and a screenwriter invites a powerhouse punch of empathy right from the beginning.Finally, telling a story from a childs point of view helps increase the horror aspect if that is the genre youre aiming for. Seeing a monster as an adult is one thing- seeing it from the point of view of a ch ild puts us right back into that primal state of fear we felt as children facing an uncertain world, and the tension is increased.Stranger Things use of the preteen and adolescent points-of-view add emotional appeal to the story (and increase the horror effect).5. Dont be afraid to mix genresIve written often about Blake Snyders Save The Cat! Series, and Stranger Things is a great example of how a genre-mixing/genre-bending screenplay can work. Anyone who is familiar with Snyders ten story patterns or every story type ever told for film will immediately recognize Stranger Things as falling in the Monster in the House category.According to Snyder, when it comes to story patterns, Monster in the House is one of the oldest†¦.and most primal. He also notes that in order for a film to fall into this category, there should be three components: 1) a monster, 2) a house, and 3) a sin.Stranger Things Demogorgon definitely qualifies as a monster. Much of the characters interaction with t he monster takes place in Joyce Byers house. And finally, there is the awful truth of experiments on children that were taking place in Hawkins National Laboratory, under the guidance of Dr. Martin Brenner (the sin).But wait†¦Stranger Things also has elements of Snyders Buddy Love pattern (between Mike and Eleven), Golden Fleece (in which a team sets out on an adventure and are transformed in the process), and even Whydunit (as Chief Hopper searches for the missing Will Byers and his search takes a dark turn). The Duffer Brothers genre-mixing storytelling approach keeps audiences engaged in Stranger Things for a large part simply because it reminds them of so many other great stories within those genres that are represented.ConclusionUltimately, Stranger Things is a lesson in what can go right in original screenplays when you draw on nostalgia- particularly pop culture references, a soundtrack reminiscent of the technology of the 80s, and references to the childhood of an audie nce that likely still pines for it in many ways. Most importantly, it gives us characters we care about- set in a time we feel a lot of emotion towards. Its this extra appeal of emotion that makes Stranger Things the valuable lesson for screenwriters that it is. So, dont be afraid to make it part of your screenplay.

Sunday, March 1, 2020

How to pronounce Li Keqiang, Chinas premier

How to pronounce Li Keqiang, Chinas premier In this article, we will look at how to pronounce Li Keqiang (æ Å½Ã¥â€¦â€¹Ã¥ ¼ º), the   Premier of the State Council of the Peoples Republic of China. First, I will give you a quick and dirty way if you just want to have a rough idea how to pronounce the name. Then I’ll go through a more detailed description, including analysis of common learner errors. Pronouncing names in Chinese Pronouncing names in Chinese can be very hard if you havent studied the language; sometimes its hard even if you have. Many letters used to write the sounds in Mandarin (called Hanyu Pinyin) dont match the sounds they describe in English, so simply trying to read a Chinese name and guess the pronunciation will lead to many mistakes. Ignoring or mispronouncing tones will just add to the confusion. These mistakes add up and often become so serious that a native speaker would fail to understand. Read more about how to pronounce Chinese names. The quick and dirty way of pronouncing Li Keqiang Chinese names usually consist of three syllables, with the first being the family name and the last two the personal name. There are exceptions to this rule, but it holds true in a vast majority of cases. Thus, there are three syllables we need to deal with. Listen to the pronunciation here while reading the explanation. Repeat yourself! Li - Pronounce as lee.Ke - Pronounce as cu- in curve.Qiang - Pronounce as chi- in chin plus ang- in angry. If you want want to have a go at the tones, they are low, falling and rising respectively. Note: This pronunciation is not correct pronunciation in Mandarin. It represents my best effort to write the pronunciation using English words. To really get it right, you need to learn some new sounds (see below). How to actually pronounce Li Keqiang If you study Mandarin, you should never ever rely on English approximations like those above. Those are meant for people who dont intend to learn the language! You have to understand the orthography, i.e. how the letters relate to the sounds. There are many traps and pitfalls in Pinyin you have to be familiar with. Now, lets look at the three syllables in more detail, including common learner errors: LÇ  (third tone) - The l is a normal l as in English. Note that English has two variants of this sound, one light and one dark. Compare the l in light and full. The latter has a darker character and is pronounced farther back (its velarised). You want the light version here. The i in Mandarin is further forward and upward compared to i in English. Your tongue tip should be as far up and forward as possible while still pronouncing a vowel! Ke (fourth tone) - The second syllable is not that hard to pronounced okay, but is hard to get completely right. The k should be aspirated. The e is similar to the e in the English word the, but farther back. To get it completely right, you should have about the same position as when you say the [o] in Pinyin po, but your lips shouldnt be rounded. However, it will still be perfectly understandable if you dont go that far. Qiang (second tone) - The initial here is the only tricky part. q is an aspirated affricate, which means that it is the same a s Pinyin x, but with a short stop t in front and with aspiration. The tongue tip should be down, lightly touching the teeth ridge behind the lower teeth. The are some variations for these sounds, but Li Keqiang (æ Å½Ã¥â€¦â€¹Ã¥ ¼ º) can be written like this in IPA: [liÌ€ kÊ °Ã‰ ¤ tÉ•Ê °jaÅ‹] Conclusion Now you know how to pronounce Li Keqiang (æ Å½Ã¥â€¦â€¹Ã¥ ¼ º). Did you find it hard? If you’re learning Mandarin, dont worry; there arent that many sounds. Once you’ve learnt the most common ones, learning to pronounce words (and names) will become much easier!